Tim Ingold's Correspondences, 2022: reactions to artistic provocations in linear traces of affects
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https://doi.org/10.22380/2539472X.2767Keywords:
Correspondences, affects, art-anthropology, soil, materialsAbstract
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References
Goethe, Johann Wolfgang von. (1810) 2008. Teoría de los colores. Madrid: Consejo General de la Arquitectura Técnica de España.
Gombrich, Ernst. 1998. Meditaciones sobre un caballo de juguete y otros ensayos sobre la teoría del arte. Traducido por José María Valverde. Madrid: Debate.
Ingold, Tim. 2013. Making: Anthropology, Archaeology, Art and Architecture. Londres; Nueva York: Routledge. DOI: https://doi.org/10.4324/9780203559055
—. 2015. “Ethnography Is to Anthropology as Art History Is to Arts Practice: A Provocation”. Londres. The Landscape (Londres). https://thelandscape.org/2015/10/12/timingold-lecture-ethnography-is-to-anthropology-as-art-history-is-to-arts-practice-a-provocation/
—. 2020. Antropología: ¿por qué importa? Madrid: Alianza.
—. 2022. Correspondencias: cartas al paisaje, la naturaleza y la tierra. Traducido por Xavier Gaillard Pla. Barcelona: Gedisa.
Panofsky, Erwin. 1998. Estudios sobre iconología. Madrid: Alianza.
Serpentine Galleries, dir. 2020. “Hans Ulrich Obrist in Conversation with Tim Ingold—The Understory of the Understory”. Video de YouTube publicado el 10 de diciembre por Serpentine. https://www.youtube.com/watch?v=qU8Q_Zd0ubw
Wölfflin, Heinrich. 2011. Conceptos fundamentales de la historia del arte. 5.a ed. Madrid: Espasa.
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